Saturday 10 December 2011

Kielder Water

Kielder Water Landscape Photography by Alex Nichol (1/3)


After the weather sent me a curve ball last weekend, I decided to try Kielder Water again this morning. The weather wasn't much better, but at least it wasn't pissing down!



EXIF: 50mm : f/16 : 0.5sec : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 Hard Grad

 





Kielder Water Landscape Photography by Alex Nichol (2/3)



EXIF: 50mm : f/16 : 80sec : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 Hard Grad : Lee 0.9 ND

 






Kielder Water Landscape Photography by Alex Nichol (3/3)



EXIF: 50mm : f/16 : 35sec : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 Hard Grad : Lee 0.9 ND

 






Click on any of the photos to see them full-size against black, and please do leave a comment below if you like the photos.

Wednesday 23 November 2011

Minority Report UX just around the corner...?



 
Okay, so it needs some refining, but Russian company Displair has come up with an exciting new technology that projects images on to a stream of cold fog, and uses an infra-red camera to track hand gestures. Having boot-strapped this prototype together with minimal government funding, I image it's only a matter of time before they get some serious funding together!



Read the full story at TechCrunch...

Saturday 22 October 2011

Collywell Bay, Seaton Sluice

Collywell Bay, Seaton Sluice Landscape Photography by Alex Nichol (1/4)


I was missing the cold wetness of getting soaked to the bollocks in the North Sea, so I took a short drive across to Collywell Bay in Seaton Sluice this morning to shoot St. Mary's Lighthouse.



EXIF: 50mm : f/1.4 : 8sec : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 Hard Grad : Lee 0.9 ND

 






Collywell Bay, Seaton Sluice Landscape Photography by Alex Nichol (2/4)


I was running late, and by the time I got there I didn't have time to change into my trusty waders, so I had to go down onto the rocks in my trainers. This wasn't too bad, but the tide was coming in fast, and with 5 minute exposures, the sea was sloshing around my ankles by the time I got some decent shots.



EXIF: 50mm : f/1.4 : 19sec : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 Hard Grad : Lee 0.9 ND

 






Collywell Bay, Seaton Sluice Landscape Photography by Alex Nichol (3/4)


It wasn't until I'd been there for about 15 minutes that I realised I was sitting in some other photographer's shot! Really sorry, whoever you are; I hate it when people do that to me. I'm just a skinny wee fella, so hopefully I wasn't too much trouble to remove!



EXIF: 50mm : f/1.4 : 311sec : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 Hard Grad : Lee 0.9 ND

 





Collywell Bay, Seaton Sluice Landscape Photography by Alex Nichol (4/4)


Despite being out of practice with long exposures and becoming photoshop-fodder in someone else's picture, I came away with some okay shots. Nothing startling or new, but nice nonetheless, and hopefully something a little different from the usual shots we see of the lighthouse.



EXIF: 50mm : f/1.4 : 285sec : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 Hard Grad : Lee 0.9 ND

 




Click on any of the photos to see them full-size against black, and please do leave a comment below if you like the photos.

Sunday 16 October 2011

Bishop Auckland, County Durham

Bishop Auckland, County Durham Landscape Photography by Alex Nichol (1/5)


I had originally planned to drive up to Scremerston this morning, but slept in. So I decided to drive back down to Bishop Auckland and see if I could get some of the shots I hadn't been able to get last week due to the crappy weather.



EXIF: 50mm : f/1.4 : HDR : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4

 





Bishop Auckland, County Durham Landscape Photography by Alex Nichol (2/5)


The weather wasn't much better this week. The only shots I was anywhere near pleased with were the two from the bridge with the sky aflame. Although my HDR skills are improving, I'm still not completely comfortable with it as a technique. It somehow feels synthetic and unnatural.



EXIF: 50mm : f/1.4 : HDR : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4

 





Bishop Auckland, County Durham Landscape Photography by Alex Nichol (3/5)


The bridge gives a good vantage point, although you need a tall tripod to see over the anti-suicide fence. On the other side of the bridge (heading out of the town centre) is a small picnic area, which also has a good viewpoint.



EXIF: 50mm : f/1.4 : HDR : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4

 





Bishop Auckland, County Durham Landscape Photography by Alex Nichol (4/5)


At the picnic area, heading back to my car, I saw another photographer - a portly fellow - who couldn't even be bothered to get out of his car. He was leaning half in and half out of the door and using his big zoom to frame his shot. It made me feel all the more assured that the secret to great photography is getting out there and putting the effort in!



I was tempted to tell him that if he got his fat arse out of the car and walked 10m across the grass, there was a breathtaking viewpoint to be on the other side of the hill. I didn't though. Guess he'll never know what he missed.



EXIF: 50mm : f/1.4 : HDR : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4

 





Bishop Auckland, County Durham Landscape Photography by Alex Nichol (5/5)


I drove further along to Hamsterley in the hope of seeing the evergreen valley shrouded in mist, but was sorely disappointed. I'll try later in the year when the ground is frosty and the magic hour sun evaporates the dew.



EXIF: 50mm : f/1.4 : HDR : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4

 





Click on any of the photos to see them full-size against black, and please do leave a comment below if you like the photos.

Saturday 1 October 2011

Aruna Ratanagiri Monastery, Northumberland

Harnham Monastery, Northumberland Landscape Photography by Alex Nichol (1/6)


I was eager to continue my experiments with inland photography, so I took a short drive up to Belsay this morning. I'd been that way numerous times on my motorbike, and figured that with the right light, it would be pretty breathtaking. I didn't know at the time that it would lead me to one of the most bizarre mornings I've ever experienced.



EXIF: 50mm : f/1.4 : 1/250 sec : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4

 






Harnham Monastery, Northumberland Landscape Photography by Alex Nichol (2/6)


I passed a huge hill that offered the best possible vantage point looking east toward the coast, and turned into a side-road to see if I could get up there. The road led all the way to the top, where a farm - or at least what I thought was a farm - was situated with 360˚ views of the Northumbrian hills.



When I got out of the car, I was met by a friendly Dutchman by the name of Herman. At first I thought he might be the farmer, and that I was about to be kicked off his land - that was until he offered to make me some breakfast!



EXIF: 50mm : f/16 : 1/15 sec : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4

 






Harnham Monastery, Northumberland Landscape Photography by Alex Nichol (3/6)


I politely declined, as I didn't have much time before magic hour and I wanted to explore the hillside for the best possible viewpoint, and went on my way.



With the sun tucked between the trees, my ND Grads weren't much use, so I took the opportunity to experiment with HDR. I've tried it in the past, and was never satisfied with the results, but I was determined to get it right. All of my wide landscape shots are HDR, albeit very subtle (I'm not a big fan of over-processed HDR).



EXIF: 50mm : f/1.4 : 1/15 sec : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4

 






Harnham Monastery, Northumberland Landscape Photography by Alex Nichol (4/6)


Further down the hill, I found a tiny broken-down play park, with some makeshift swings and a crooked old bridge. When I leaned against one of the supporting trees, it almost came down on top of me, as the whole thing was rotted and brittle.



What made this place all the more weird was the strange singing noise drifting down from the top of the hill on the wind. It was very slight, but I was sure it was definitely not my tinnitus, and in the dead silence of the morning was actually quite comforting.



EXIF: 50mm : f/1.4 : 1/40 sec : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4

 







Harnham Monastery, Northumberland Landscape Photography by Alex Nichol (5/6)


When I returned to the car, Herman was waiting for me, and told me had a surprise for me. With a glint in his eye, he took me to what I thought was the farm building at the top of the hill, and invited me inside. It was in fact a working Buddhist monastery, and the singing I had heard on the hillside had been the monks.



Inside the monastery was a beautiful Buddhist temple that Herman told me he had helped to build some twenty years ago from the ruins of an old farm building. It sounds odd to say it, but the building filled me with an overwhelming sense of goodwill.





EXIF: 50mm : f/1.4 : 1/400 sec : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4

 






Harnham Monastery, Northumberland Landscape Photography by Alex Nichol (6/6)



He made me a cup of tea, and told me that he and his wife travel across from Holland each year to spend four weeks looking after the monks. The monks apparently can't cook for themselves, nor do their own gardening (for fear of killing worms and other creatures), so they're somewhat dependant on kindly volunteers to help them get by.



It was a strange little place, and yet very tranquil. Herman and his wife were lovely people, and even the sheep were quite sociable. My only regret was that I didn't get a photograph of Herman, although I did get his email address to send him some of my pictures.



EXIF: 50mm : f/1.4 : 1/200 sec : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4

 












Click on any of the photos to see them full-size against black, and please do leave a comment below if you like the photos.

Saturday 24 September 2011

Plawsworth, County Durham

Plawsworth, County Durham Landscape Photography by Alex Nichol (1/5)


I decided to try something different this morning and took a trip down to Plawsworth in County Durham for some inland shots. I spied this weird tree with a ladder in it, and jumped the barbed-wire fence to get a better shot - such are the hazards of shooting with a 50mm prime!



The ladder was swinging slightly in the breeze, making a creaking sound that was pretty creepy in the dead silence of day break with only the rumble of a passing train for company.



EXIF: 50mm : f/1.4 : 1/1250 sec : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Soft Grad

 






Plawsworth, County Durham Landscape Photography by Alex Nichol (2/5)


I'd been shooting wide landscapes on the roadside for about 20 minutes when I noticed this little fella about 3 inches from my lens!



EXIF: 50mm : f/1.4 : 1/160 sec : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Soft Grad

 





Plawsworth, County Durham Landscape Photography by Alex Nichol (3/5)


I see this landscape every time I travel down to London on the east coast mainline, and at dawn it's almost always shrouded in mist and looks amazing. I didn't know the area too well, so I just traced the railway line down from Newcastle to Durham, and took a wild guess at where the best shot might be, based on Google maps' satellite view. I didn't go far wrong, but it was difficult to find a good vantage point.



EXIF: 50mm : f/16 : 1/5 sec : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Soft Grad : Lee 0.9 ND Hard Grad

 






Plawsworth, County Durham Landscape Photography by Alex Nichol (4/5)


No sign of the little bugger that built this, but he's not finished. Like most in the building trade, he's probably got his feet up somewhere with a cup of tea and a newspaper.



EXIF: 50mm : f/1.4 : 1/80 sec : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Soft Grad

 






Plawsworth, County Durham Landscape Photography by Alex Nichol (5/5)


All in all, a pretty good trip and something of a departure for me, being primarily a coastal photographer. I'll be heading down that way again soon to explore some of the back roads and trespass on some private land. Practice makes perfect.



EXIF: 50mm : f/16 : 1/5 sec : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Soft Grad : Lee 0.9 ND Hard Grad

 












Click on any of the photos to see them full-size against black, and please do leave a comment below if you like the photos.

Tuesday 20 September 2011

My Great North Run adventure

Okay, so this has nothing to do with design or UX, but a bunch of us at Riff Raff took part in the Great North Run yesterday, raising money for Finchale Training College, a nice group of people who help adults with disabilities to get back into employment. We've all been training for around 4 months now, and it has been quite an adventure.

Monday 12 September 2011

The future of retail is mobile

It seems that the humble mobile app is gaining traction in the offline world, as American home improvement chain Lowe's have announced plans to replace their checkout scanners with some 42,000 iPhones, according to Mobile Commerce Daily.

Wednesday 31 August 2011

Google TV comes to Android SDK

Exciting times are ahead for those of us with an interest in the emergence of truly ubiquitous IPTV services, as Google announced to the Android development community this week that, with the upcoming OS update to Honeycomb, Google TV devices will finally be Android compatible.

Thursday 18 August 2011

Three clicks or bust

There are lots of popular design myths passed off as 'best practice' these days by armchair designers, particularly within the web design industry. Somehow these guidelines manage to work their way into the public consciousness, often taking root in briefing and specification documents where they eventually become criteria used to measure the quality of a delivered product.

Saturday 6 August 2011

Whitburn III: Waves of Destiny

Whitburn Long Exposures by Alex Nichol (1/7)


I took my first sunrise trip out since the winter this morning, mainly due to being extremely busy and too tired to get out of bed to catch the 4am sunrise. Now that we're in late summer, the sunrise is at 5:20am, which is far more reasonable, so I got up at 4:30am and headed over to Whitburn.



EXIF: 50mm : f/16 : 275 secs : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Hard Grad : Lee 0.9 ND Soft Grad : Lee Big Stopper

 






Whitburn Long Exposures by Alex Nichol (2/7)


I've been running down at Shouth Shields Whitburn regularly over the last couple of months, as part of my training regime in preparation for the Great North Run (please sponsor me) and had spotted this out-crop from the road.



EXIF: 50mm : f/16 : 228secs : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee Big Stopper

 






Whitburn Long Exposures by Alex Nichol (3/7)


There are nice little arches, tunnels and caves, if you can catch the tide at the right time, and it's relatively easy to get to. When I got down there, ther water was quite calm, which doesn't make for a particularly good long exposure shot.



EXIF: 50mm : f/16 : 64 secs : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Hard Grad : Lee Big Stopper

 






Whitburn Long Exposures by Alex Nichol (4/7)


As ever, extremely long exposure pulled out a lovely green-blue from the sea that couldn't be seen with the naked eye, which more than made up for the lack of drama. Be careful if you venture down this way, as the rock formations make it really easy to become marooned as the tide comes in around and behind you!



EXIF: 50mm : f/16 : 191secs : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Soft Grad : Lee Big Stopper

 






Whitburn Long Exposures by Alex Nichol (6/7)


In my hurry to get out of the house, I totally forgot to take my waders, so I go a bit wet scrambling back to dry land!



EXIF: 50mm : f/16 : 40secs : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Hard Grad : Lee 0.9 ND Soft Grad : Lee Big Stopper

 




Whitburn Long Exposures by Alex Nichol (7/7)



EXIF: 50mm : f/16 : 189secs : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Hard Grad : Lee 0.9 ND Soft Grad : Lee Big Stopper

 





Click on any of the photos to see them full-size against black, and please do leave a comment below if you like the photos.

Monday 16 May 2011

Bringing online & offline together

Last week I wrote an article for the Tech Notes column in The Journal giving one tiny example of how marketers can unite their online and offline activities to create a single seamless user experience. This is a fascinating topic for me, and something that keeps me up at night scribbling in my Moleskine, so it was great to share a couple of ideas...



Sunday 3 April 2011

Newbiggin by the Sea II: The Resoakening

Newbiggin by the Sea Long Exposures by Alex Nichol (1/4)


I took a trip out to Newbiggin by the Sea this morning to test-drive my new waders (a birthday gift from my other half). I took full advantage of them, wading up to my knees to a good vantage point at the far south end of the village where I managed to get a few decent shots.



EXIF: 50mm : f/16 : 261secs : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Hard Grad : Lee 0.9 ND Soft Grad : Lee 1.2 ND : Lee Big Stopper

 




Newbiggin by the Sea Long Exposures by Alex Nichol (2/4)


It was also the first time out with my new camera bag: the Kata W-94. I was getting a little tired of my equipment being washed out to sea because I had to leave my bag on the rocks behind me, so I decided to try this waist-pack so that I could keep everything with me at all times.



EXIF: 50mm : f/16 : 122secs : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Hard Grad : Lee 1.2 ND : Lee Big Stopper

 




Newbiggin by the Sea Long Exposures by Alex Nichol (3/4)


The bag is fantastic, and waterproof too. Lots of space and plenty of protection, and the build quality is just as good as Lowepro (which have served me well throughout the years). All in all, I was very impressed, despite the heavy price-tag.



EXIF: 50mm : f/16 : 76secs : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Hard Grad : Lee 1.2 ND : Lee Big Stopper

 





Newbiggin by the Sea Long Exposures by Alex Nichol (4/4)


The south end of the beach at Newbiggin is far more photogenic than the north end towards Church Point, with some interesting rock formations. Try to catch it just after high tide, with the the tide heading out for the best shots, as it gets a bit sparse once the sea level drops.

EXIF: 50mm : f/16 : 12secs : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Hard Grad : Lee 1.2 ND : Lee Big Stopper

 





Click on any of the photos to see them full-size against black, and please do leave a comment below if you like the photos.

Sunday 20 March 2011

Dunstanburgh Castle

Dunstanburgh Castle Long Exposures by Alex Nichol (1/2)


Total waste of a journey up to Dunstanburgh Castle yesterday morning. Firstly, I was unaware that the castle itself was a 40 minute trek from the nearest car park, so I missed sunrise altogether and only just caught a glimpse of magic hour.



To make things worse, the tide was way out by the time I got to the North side of the castle so there were precious few of those famous black boulders in the surf for a good long exposure shot. I had to walk miles out to get a shot with even a few rocks in the water - this was the only one I got.



I also discovered that Dunstanburgh Castle is yet another of those uninspiring landmarks along our coastline that only really comes to life through an ultra-wide angle lens. I love the simplicity of my single 50mm prime setup, and really don't want to be buying more lenses, but sometimes it's difficult to create a dramatic image with such a pedestrian focal length!



EXIF: 50mm : f/16 : 122secs : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Hard Grad : Lee 1.2 ND : Lee Big Stopper

 





Dunstanburgh Castle Long Exposures by Alex Nichol (2/2)


The second of my disappointing shots from yesterday's trip to Dunstanburgh Castle. I was so uninspired by the castle itself, I decided to call it a day and home with only a single half-decent shot on the card, despite having woken at 4am specially to shoot it.



On my way back, I saw this submerged gate in a flooded field that looked quite interesting. There were no great compositions to be had, as the landscape around the pond was so awkward and cluttered (I would have liked to have isolated it) and most the of the viewpoints around it were cut off by the water - I need some waders!



The best I could do was to use my hard grad to black out the mound behind it, and make the most of those lovely magic hour highlights. Unfortunately the shot was pretty much ruined by the horrible flare right across the middle (which I couldn't see on the LCD at the time). Looks pretty interesting nonetheless.



EXIF: 50mm : f/1.8 : 8secs : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Hard Grad : Lee 1.2 ND : Lee Big Stopper

 



Click on any of the photos to see them full-size against black, and please do leave a comment below if you like the photos.

Tuesday 8 March 2011

Designing the emotional user experience

I was reading a blog post recently by a member of our Riff Raff web design team, Richard Powell posing the question of whether user experience design is an emotional or logical discipline.



I thought I'd share a story that I felt was quite appropriate, and that will hopefully add some subtle shading to a fascinating topic. It's a story that helps us to understand how human beings make decisions, and how important it is to cater for both the emotional and logical side of any customer experience - either online or off. Apologies if you've heard it before.



Sunday 6 March 2011

Whitburn II: The Revenge

Whitburn Long Exposures by Alex Nichol (1/6)


I got off to a bad start this morning, leaving my battery pack in the charger at home - so I missed sunrise altogether. Thankfully, by the time I arrived in Whitburn, the tide was on its way out, and I had a clear path round to the arch.



EXIF: 50mm : f/16 : 182secs : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Hard Grad : Lee 0.2 ND : Lee Big Stopper

 





Whitburn Long Exposures by Alex Nichol (2/6)


Unfortunately, when I got there, I wasn't impressed. It's not nearly as dramatic in real life as it is in some of the photos I've seen on Flickr - I guess it's amazing what an ultra-wide lens can do to a dull subject!



EXIF: 50mm : f/16 : 91secs : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Hard Grad : Lee 0.2 ND : Lee Big Stopper

 





Whitburn Long Exposures by Alex Nichol (3/6)


As you've no doubt figured out, I didn't bother with the arch after all. Through my Zeiss 50mm, it's dull as dishwater, so I wandered down towards the surf to get some nice, milky long exposures.



EXIF: 50mm : f/16 : 202secs : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Hard Grad : Lee 0.2 ND : Lee Big Stopper

 





Whitburn Long Exposures by Alex Nichol (4/6)


Despite the retreating tide, the sea caught me off-guard and I almost lost all of my equipment. A huge wave came from out of nowhere, and swallowed me up to my knees, sweeping my backpack and filter case up with it!



EXIF: 50mm : f/16 : 192secs : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Hard Grad : Lee 0.2 ND : Lee Big Stopper

 





Whitburn Long Exposures by Alex Nichol (5/6)


I managed to hang onto my camera with one hand, and run like hell towards the higher rocks. My backpack and filter case were bobbing around in the swell, about to be pulled back out to sea.



EXIF: 50mm : f/16 : 91secs : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Hard Grad : Lee Big Stopper

 





Whitburn Long Exposures by Alex Nichol (6/6)


Thankfully, I managed to gather everything up and climb up to dry land. I'm seriously looking into a waste-pack style bag now, so that I don't have to leave anything lying around on the rocks!



EXIF: 50mm : f/16 : 190secs : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Hard Grad : Lee 0.2 ND : Lee Big Stopper

 




Click on any of the photos to see them full-size against black, and please do leave a comment below if you like the photos.

Friday 4 March 2011

An iterative approach to UX design

So all great web design projects start out with that spark of unbridled genius. You're so convinced that your latest inspiration will be the answer to all your marketing prayers that you funnel your budget into it with gusto.



You spend weeks with a reassuringly expensive design consultant sculpting the perfect user experience from top to bottom, safe in the knowledge that it'll work. You're not sure how, but it will.



You share your vision with stakeholders who make enthusiastic noises, and push the project eagerly into production. After months of development, the finished site is unveiled to your waiting public. Then nothing happens.



Sunday 27 February 2011

Whitburn

Whitburn Long Exposures by Alex Nichol (1/4)


We had our first decent sunrise in weeks this morning, so I headed down to Whitburn to photograph the famous arch. Unfortunately, the tide was higher than expected and I couldn't actually get to it, so I settled in the bay just around the corner.



EXIF: 50mm : f/16 : 242secs : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Hard Grad : Lee 0.9 ND Soft Grad : Lee Big Stopper

 





Whitburn Long Exposures by Alex Nichol (2/4)


My 3-stop soft grad struggled to keep the sun under control without crushing the blacks in the rocks to the right. At times this like this, I could really do with another soft grad to layer on top, as the hard grad just isn't suitable for this kind of shot.



EXIF: 50mm : f/16 : 47secs : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Soft Grad : Lee Big Stopper

 





Whitburn Long Exposures by Alex Nichol (3/4)


I wanted a shallow DoF shot of the wet pebbles, so I had to use a whopping 14-stops of ND to get a long exposure at f/2.0. The result was quite nice, though I would have liked to have experimented a little more. Unfortunately, I was kneeling in the surf at this point, with my precious camera about 6" above the water, and the sea-spray was quite overwhelming.



EXIF: 50mm : f/2.0 : 16secs : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Soft Grad : Lee Big Stopper : Lee 1.2 ND

 





Whitburn Long Exposures by Alex Nichol (4/4)


I always kick myself after taking shots like these, as they say nothing about the surrounding environment - they could have been taken anywhere - but I just find rock formations like this absolutely fascinating!



EXIF: 50mm : f/16 : 80secs : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Soft Grad : Lee Big Stopper

 





Click on any of the photos to see them full-size against black, and please do leave a comment below if you like the photos.

Saturday 26 February 2011

Finding your motivation

There are as many motivations for starting up in business as there are stars in the sky. My own business is a web design and build agency in Newcastle, but I guess this applies to any kind of company.

The reasons that crop up most often seem to be…



Saturday 29 January 2011

South Shields

Long Exposure: South Shields by Alex Nichol (1/3)


It was -5° at South Shields this morning and the rocks were frosted over, making them doubly treacherous! It was worth the white-knuckle treck along the harbour wall to get this shot though.



EXIF: 50mm : f/16 : 320secs : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Hard Grad : Lee 0.9 ND Soft Grad : Lee Big Stopper




Long Exposure: South Shields by Alex Nichol (2/3)


I made about 8 attempts at this shot, but the sun kept coming out from behind the cloud, blowing out the sky. Ordinarily, I just use my ND grads to dim the sun, but in this case the sea was almost as bright, which made it difficult to balance the whole exposure out.



EXIF: 50mm : f/16 : 144secs : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Hard Grad : Lee 0.9 ND Soft Grad : Lee Big Stopper




Long Exposure: South Shields by Alex Nichol (3/3)


This shot was deceptively challenging. The sea and the bottom half of the sky were seriously bright, but the land mass and the top half of the sky were really dark, so it took a few attempts with various combinations of hard and soft grads to get an exposure that worked right across the image.



EXIF: 50mm : f/16 : 49secs : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Hard Grad : Lee 0.9 ND Soft Grad : Lee Big Stopper


Click on any of the photos to see them full-size against black, and please do leave a comment below if you like the photos.

Sunday 16 January 2011

Newbiggin-by-the-Sea

Long Exposure: Newbiggin-by-the-Sea by Alex Nichol (1/2)


The photo gods were against me this morning. First, the sun came up and dipped immediately behind a great slab of cloud, leaving everything dull and flat. Secondly, I discovered why there aren't many good photos of Newbiggin-by-the-Sea: no matter how hard I searched, I just could not find an interesting composition. I've heard since that I might just be looking in the wrong place!



EXIF: 50mm : f/16 : 206secs : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Hard Grad : Lee Big Stopper




Long Exposure: Newbiggin-by-the-Sea by Alex Nichol (2/2)


This one turned out okay, but it feels like just more of the same. I need some interesting rock formations to photograph!



EXIF: 50mm : f/16 : 258secs : Canon EOS 5D Mark II : Carl Zeiss Planar T* 50mm f/1.4 : Lee 0.9 ND Hard Grad : Lee Big Stopper




Click on any of the photos to see them full-size against black, and please do leave a comment below if you like the photos.